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ECUADOR. Quito. Convent of San Francisco. Altarpiece

ECUADOR. Quito. Convent of San Francisco. Altarpiece


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ECUADOR. Quito. Convent of San Francisco. Altarpiece

ECUADOR. Quito. Convent of San Francisco. Altarpiece of Santa Catalina. Polychrome carving. 1630. Quito School. The use of bright polychromy was a feature of this school. Colonial baroque. Sculpture on wood

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Media ID 14182663

© J. Bedmar/Iberfoto/Mary Evans

1630 Altarpiece Americans Baroque Bright Carving Catalina Convent Ecuador Ecuadorian Ecuadorians Feature Feminine Francisco Insides Pichincha Polychrome Polychromy Quito Sculptures Statues Times Upright Persons Santa


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Baroque

> Arts > Contemporary art > Modern art > Sculpture

> Arts > Contemporary art > Sculpture > Modern art

> Arts > Modern art pieces

> Arts > Sculpture

> Historic > Colonial history

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Altarpieces

> South America > Ecuador > Ecuador Heritage Sites > City of Quito

> South America > Ecuador > Quito


EDITORS COMMENTS
1. Title: "The Radiant Reverence of Quito's Convent of San Francisco: A Glimpse into the Colonial Baroque Altarpiece of Santa Catalina" The captivating image before you transports us to the heart of Quito, Ecuador, where the historic Convent of San Francisco stands tall, a testament to the rich cultural heritage of the Americas. Within this architectural marvel lies a hidden gem - the altarpiece of Santa Catalina, a masterpiece of the Quito School, dating back to 1630. This vertical, upright altarpiece, adorned with vibrant polychromy, is a striking example of the Colonial Baroque era in America. The Quito School, renowned for its use of bright polychromy, is evident in the rich, colorful layers that cover the wooden sculpture of Santa Catalina, the patron saint of Quito. The altarpiece, featuring the feminine figure of Santa Catalina, is a visual feast for the eyes. Her serene expression and the intricate carvings on her attire and halo reveal the skillful craftsmanship of the artisans of the time. The altarpiece's interior is a world of its own, filled with intricate details and symbolism that speak to the deep spiritual connection of the Ecuadorian people during the early modern era. The altarpiece's use of bright polychromy adds a unique charm to the otherwise monochromatic interiors of the convent. The vertical orientation of the altarpiece draws the viewer's gaze upward, emphasizing the spiritual connection between the people and their faith. This image offers a glimpse into the past, inviting us to explore the history and culture of Quito and the Americas during the colonial period. The altarpiece of Santa Catalina, with its radiant colors and intricate carvings, stands as a reminder of the enduring legacy of the Quito School and the artistic traditions of the Western Hemisphere.

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